
The Top 10 Florence Pugh Movies, Ranked

Anushree Arora
A professional wrestler, a 1950s housewife, a psychiatrist in a Christopher Nolan movie, and most recently a Marvel superhero, these are just some of the many roles Florence Pugh has taken on in her decade long career. Florence Pugh entered the world of movies as a young teenager, starring in the British indie-film, The Falling, a coming of age psychological thriller about a girl who suddenly collapses, and triggers a mysterious fainting epidemic in her new school. It was a performance that showcased her emotional depth and maturity early on, and opened the door to many more roles.
Since then, Florence Pugh has built a career as one of the most versatile actresses by carefully selecting a series of well-acclaimed projects to be part of. Following her debut film in 2014, she’s appeared in several movies like Lady Macbeth, and Outlaw King. But it is her 2019 trifecta in Fighting with My Family, Midsommar, and Little Women that truly showcased her versatility and range. Taking on three very different and equally challenging roles, she delivered three back-to-back hits in a single year, cementing her status as a household name and one of the most sought-after actresses in Hollywood.
It’s been onwards and upwards for Florence ever since. She has taken on bigger projects, starring in Christopher Nolan’s Oppenheimer, making her Marvel debut as Yelena Belova, Natasha Romanoff’s adoptive sister in Black Widow, and eventually headlining her own Marvel movie, Thunderbolts*. But amid all the big blockbusters, Pugh has not forgotten her roots. She continues to balance her career by taking on indie roles that showcase her range and passion for storytelling. Florence has built an impressive portfolio in the past decade, here are 10 of her best career defining performances, and where to watch them online:
Little Women (2019)
Since the book first came out, Amy March has been one of the most despised characters in romance literature. Florence Pugh has helped shift this image ever since she stepped into the shoes of Amy March in Greta Gerwig’s 2019 adaptation of Little Women. Set in two different timelines, the movie traces Amy and her three sisters' journey from early childhood to adulthood, documenting their challenges, romances, and sibling rivalries along the way. Amy March has always been misunderstood and seen as vain, impulsive, and selfish for her actions. Florence Pugh brought a new sense of depth, vulnerability, and intelligence to the role, which helped transform her character into a fully realized person whose choices make sense, even if they are not always easy to understand. This transformation has been the center of praise both critically and commercially, even earning Florence her first Academy Award nomination for Best Supporting Actress.
Midsommar (2019)
Midsommar is not your typical horror film. It is hauntingly disturbing, unconventional, and requires an open mind to fully understand and appreciate. In Midsommar, Florence Pugh plays Dani, a young woman grieving the traumatic loss of her sister, who died by suicide, as well as her parents, who were killed in the same incident. As she struggles with her grief and a deteriorating relationship with her college boyfriend, she decides to join him and his friends on a trip to a midsummer festival in Sweden. Upon arrival, the group slowly realizes they have stumbled into a remote pagan commune and become witnesses to increasingly unsettling ancient rituals of sacrifice. Florence delivers one of the most powerful and intense performances of her career in Midsommar, grounding the film’s surreal horror in a deeply human experience of pain, grief, and loss.
Fighting with My Family (2019)
Released in the same year as Little Women and Midsommar, Fighting with My Family is the least talked about film from Florence Pugh’s breakout year. In the movie, Pugh stars as Saraya "Paige" Bevis, an aspiring professional wrestler trying to make it in the competitive world of WWE. But Fighting with My Family is not just a movie about wrestling. It is also a story about family. Raised in a household of wrestlers, Paige begins her journey training alongside her brother Zac. However, as the story unfolds, Zac falls short of making the cut and Paige is left to carry on the family legacy alone.
Thunderbolts* (2025)
Thunderbolts*, or the self-proclaimed “New Avengers,” is Marvel’s most recent ensemble superhero action film, starring Florence Pugh as Yelena Belova, the adoptive sister of Natasha Romanoff. Thunderbolts* did not generate massive pre-release buzz like some of its superhero counterparts, but after its release, the film received widespread fan and critical acclaim for the new direction Marvel has taken. Unlike other films under its banner, Thunderbolts* is not packed with elaborate CGI action sequences or flashy superheroes with extravagant powers. Instead, the movie assembles a group of antiheroes, forgotten characters with morally ambiguous motives, dark pasts, or criminal histories, brought together as the city's last hope against government control and manipulation. At the center of it all is Yelena Belova, a tough, sarcastic, emotionally guarded yet deeply caring assassin, struggling with her sense of identity, the trauma of growing up as a child assassin, and her search for purpose. Florence Pugh’s performance anchors the entire film with emotional vulnerability, proving that the story is as much about facing internal battles as it is about confronting external threats.
Lady Macbeth (2016)
In Lady Macbeth, Florence Pugh stars as Katherine Lester, a young woman forced into marriage with a much older man early in her life. Stripped of her freedom, Katherine begins an affair with another man and gradually regains a sense of control, gaining the confidence to stand up to her bitter husband and domineering father-in-law, and slowly take command of her household. One of Pugh’s early works, Lady Macbeth remains one of her most powerful performances. At just nineteen, she convincingly portrayed the despair of an unhappy, forced marriage and the lengths one might go to in pursuit of mental peace and freedom.
Dune: Part Two (2024)
Dune: Part Two, the sequel to the cinematic masterpiece Dune, was even more popular than the original film. The movie continues the saga of Paul Atreides as he joins the Fremen to stand up against the forces that destroyed his family and claim his destiny as the prophesied leader. The film introduces a host of new characters, including the enigmatic Princess Irulan, daughter of Emperor Shaddam IV, played by Florence Pugh. Though her role is limited in this installment, it lays the groundwork for a much deeper and more significant involvement in the next chapter. Irulan’s character is deeply intertwined with the political landscape of the Dune universe. In the second movie, Pugh’s character serves more as a silent observer, witnessing the events that unfold around her and positioning herself at the intersection of imperial power and the Bene Gesserit’s far-reaching influence.
We Live In Time (2024)
Andrew Garfield and Florence Pugh star in this emotionally intense romantic drama about a woman battling ovarian cancer in the prime of her life. We Live In Time uses a non-linear narrative to follow a couple’s ten-year journey as they navigate love, illness, and personal ambition. The story begins when Almut (Florence Pugh) accidentally hits Tobias (Andrew Garfield) with her car, and what starts as an unusual meet-cute gradually blossoms into a profound relationship. Their lives together unfold, from the birth of their daughter to Almut’s harrowing battle with cancer. Both Andrew and Florence deliver raw, authentic, and deeply moving performances. Their on-screen chemistry is palpable, anchoring the film with emotional depth and sincerity.
Oppenheimer (2023)
Christopher Nolan’s Oppenheimer was one of the biggest films to come out in 2023. Aside from being an explosive hit at the box-office, the movie was critically acclaimed for its grand visual spectacle, powerful storytelling, and talented cast of actors that brought the devastating story of the creation of the first atom bomb to life. Amidst these, we have Florence Pugh taking on the emotionally complex role of Jean Tatlock, a psychiatrist, communist party member, and Oppenheimer’s former love interest. Though her screen time is limited, her character leaves a lasting impact, depicting a turbulent relationship that adds a layer of depth to his personal struggles and inner conflict in the film.
The Wonder (2022)
Set in 1862, The Wonder stars Florence Pugh as an English nurse who is sent to a small town in Ireland to observe a young girl who has mysteriously stopped eating. Still adjusting to life after the Great Famine, which ended a decade prior, the people of the small town are wary of Lib, but her only concern is the little girl. As the movie progresses, Lib learns that the reason behind the girl’s fasting is more religious than magical, sending her down a path of moral conflict, uncovering dark secrets, and forcing her to make a drastic, life-altering decision.
The Falling (2014)
Florence Pugh made her film debut alongside Game of Thrones alum Maisie Williams in the psychological thriller The Falling at the tender age of eighteen. The film stars Pugh as Abbie, a pregnant teen who attends an all-girls boarding school and quickly befriends her classmate Lydia. Shortly after arriving, Abbie mysteriously faints, triggering a strange fainting epidemic across the school. While the administration dismisses it as hysteria, Lydia’s concerns deepen, leading her down a dangerous path to uncover the dark truth behind the mass faintings. Even though Pugh plays a supporting role, her performance was well received and notable enough to launch her acting career.
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